How could a band with so much energy ever stop?
Vic Victor had his head under the hood of a jeep when Current called him. He called us back a minute later, apologizing and saying and that we’d just caught him busy tinkering with an old motor. The Metro-Detroit native was giving his humble new ride a tune-up.
Trusty transportation has been crucial to the sustainability of the Koffin Kats. Recently surpassing the 10-year-mark, Vic’s punk-inclined rock trio, recently released their seventh album Born Of The Motor. That’s fitting: the band’s from “the Motor City” and is known for tireless touring schedules (220 shows in 2013 alone). Their live show could also be akin to something combustible, or maybe the relentless punch of pistons, so that motor motif still fits.
“The fact is,” says Victor, “we wouldn’t be where we’re at, no one would know who we are, if we’d just relied on throwing songs up online and posting: ‘Hey, listen, listen!’ None of this would be possible if we didn’t get into our touring vans and drive them until their wheels fell off.”
As Victor sees it, this band came about through hitting the road and living in vans. So there’s inherent urgency to the fast tempos, fervent riffs and electrified quaver in Victor’s wild crooning style, exhibited on Born, a record finding them trying out heavy rock n’ roll, evolving beyond their spastic punk origins from a decade ago.
Victor started the Koffin Kats with guitarist Tommy Koffin in 2003. Like most bands, they busted their collective asses in small clubs for small returns (sometimes just for free beer). Victor’s motivation was unshakeable, instilled in him from one of his earliest concert attendances: the influential and insanely energetic live outfit from punk: Reverend Horton Heat. “It blew my mind,” says Victor. “I decided: ‘Well, this is what I want to do for a living!’”
Making a living in music is the trickiest part for bands in the post-Internet age, because it seems to involve an all-or-nothing commitment to the road, as demonstrated by the Kats. “Our lives can be 80%-band and 20%-everything else, but we have a great support system behind us with our family and friends.” Five years ago, as their tours grew longer, both in duration and distance, Vic, Tommy and drummer Eric Walls, realized they’d have to take that leap of faith and make the major push towards life on the road.
It worked. They’re now a functioning, tax-paying pack of working musicians. Tommy has since moved on “to start a more normal life,” Victor says of the amicable split. Guitarist EZ Ian now rounds out the band now, as Victor continues to furiously slap and lean upon his upright bass with Walls back on the kit.
How’d they make it this far and this long? A.) Touring. B.) Fans. “We can get up there and jump around like monkeys all day but if nobody’s responding then it’s gonna stop. The crowd eggs us on as much as we egg them on. And we’ve been able to grow with our fans, these ten years; it’s a really cool thing.”
Friday, January 24, 9pm. $6 advance/$8 night of show. Frankies, 308 Main St. 419-693-5300. frankiesinnercity.com
